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Gordon, Philip B., --- Gordon, Philip, --- Tibishkogijik, --- Catholic Church --- Clergy --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교

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Un siècle sépare le premier Concile de Vatican (1869) du second (1962-1965). Période de renouvellement paradigmatique pour l’Église catholique, ce siècle fut aussi celui d’une reformulation des relations judéochrétiennes. Il faut voir plus qu’une coïncidence dans la synchronie de ces deux phénomènes. L’entrée dans la modernité a modifié les conditions propres à l’existence juive et chrétienne, conduisant à terme à de profondes modifications dans la relation tissée entre Juifs et chrétiens. Défi indépendamment lancé à l’Église catholique et aux Juifs, la modernité se trouve en effet au cœur des nouvelles dynamiques relationnelles que tissent chrétiens et Juifs après la révolution française et l’ouverture des ghettos européens. La modernité est un retour de l’homme vers lui-même, à l’origine d’un mouvement général de prise de conscience de soi. Attentif au fait que la rénovation du discours catholique sur le Juif s’est produite dans les cadres donnés par la modernité, nous soutenons l’argument suivant : ce sont les tumultes de la modernité qui ont engendré une nouvelle compréhension des relations entre catholiques et Juifs. Seules les conditions modernes d’existence ont finalement été capables de briser la logique circulaire et auto-référente de la tradition antijuive de l’Église. En quête d’éléments endogènes et exogènes pouvant donner sens aux tensions et aux transformations du discours catholique sur le Juif, nous nous proposons de saisir la trajectoire suivie par le philosémitisme paulinien dans la modernité.

Judaism --- Relations --- Catholic Church --- Doctrines --- History --- 261.1 --- De Kerk en het Jodendom --- 261.1 De Kerk en het Jodendom --- Jews --- Religions --- Semites --- Relations&delete& --- Religion --- Judaism. --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Judaism - Relations - Catholic Church --- Catholic Church. --- judaïsme --- philosémitisme --- christianisme --- religion

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Eyrard, François --- Travel --- Catholic Church --- Clergy --- Rome (Italy) --- Italy --- Description and travel. --- Eyrard, --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Description and travel --- Description --- Literary Theory & Criticism --- voyage --- XVIIIe siècle --- description --- lettre de voyage --- Grand Tour

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Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.

Liturgical drama. --- Christian drama, Latin (Medieval and modern) --- Drama, Medieval --- History and criticism. --- Catholic Church --- Liturgy --- History --- Drama, Liturgical --- Liturgical dramas --- Bible plays --- Liturgy and drama --- Opera --- Mysteries and miracle-plays --- History and criticism --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Literature: history & criticism

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Child sexual abuse by clergy. --- Catholic Church --- Clergy --- Sexual behavior. --- Discipline. --- History --- Sexual behavior --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교